#oh this got.... very long

[nihilaraarchived]

some... sft tidbits. nsft are below read more.

generally speaking, kuro is a bit cautious about entering a relationship. he is a fairly touch-starved, and lonely individual, so he takes any romantic relationship he makes with another quite seriously. the biggest issue is however, that he will outlive most anyone he's with. despite his age ( in main he's about 3k years old ), it has not made it easier for him to manage the grief of losing people. so he's gotta just be ready for it, and find someone that's worth suffering that grief for.

that said, he is very doting, and very affectionate. his partner will always come before himself, their safety and happiness are his priority.

it's important to note that being with someone, gives kuro a new reason to really live-- and enjoy life. in a complicated sort of "im immortal and ive lived so long there's not much joy in living" kind of way. his flavor of nihilism is malleable, and shifts around itself, as he finds things in life that make him happy ( they come and go ). nothing matters-- except this person i've now devoted myself to. idk if i'm explaining it very well, but the point is that kuro is an extremely dedicated, and loyal partner.

yes he loves instant noodles, but kuro is actually a phenomenal cook. and being his partner means he's likely to cook for you any chance he gets.

being morally grey, his range on potential partners is quite varied. and he's at a point in his life where he'd probably be down to kiss monsters too. whatever man. so long as you're not spouting nonsense about ending the world for god- or... doing other shit that's problematic, or not needlessly cruel or over the top, you're good.

fella is actually quite charming when he tries to me. as if his awkwardness doesn't give him a charm all on it's own. he isn't mr suave and perfect, but he knows how to talk, and treat people well...

nsft stuff hehehhh...

kuro is not against having casual sex. pleasure is pleasure, and he's actually very capable of separating it from any potential romantic feelings.

i mean at this point in his life? he's vers, and he's a switch. he's willing to try just about anything within reason. tie him up, gag him, smack him around a bit. he does tend to lean more to bottom though, partially due to wanting to let someone else have some kind of control over him??? but he also just prefers it. he can top though, and he can be nice, or mean. again. just ask.

he might come across as awkward honestly, but he adjusts quickly. he isn't out here having sex very often?? or getting frisky with folks a lot??? kuro can go decades with no intimacy and be fine. so sometimes he just needs a moment to get back into it.

he... will usually prioritize his partner's pleasure over his own. a good part of it is due to kuro enjoying being edged. a lot. but he also loves watching them enjoying themselves due to his own efforts? it's satisfying. sometimes he wont even worry about getting off, unless his partner wants that.

reminding everyone, he is 195cm tall. ( 6'5 almost )

his libido comes and goes. it's honestly situational, and there are times when it takes a lot to get him going, or get him off- and times when it's pretty average.

i'm sure i could think of a lot more, but kuro is just? open minded and willing to try just about anything you ask.

[hinamie]

theyre soft your honour

[umblrspectrum]

do you ever like wanna make something cool but you dont know how so you just sit around like a moron for 5 hours straight pretending you know how

me neither

on a more serious note i know ad astra as a whole isnt over but i still want to thank daybreaker for their fics. what friends are for was the very first md fic i ever stumbled upon when trying out ao3 for the first time, and prior to joining the server i was checking it near daily for uploads. god knows if i'd be as deep in ao3 as i am now if it werent for this story and convenient timing. Thanks for the story.

[buqbite]

part 1 (on VA and being better than humans)

part 2 (on welt and being just a human)

[puppetmaster13u]

Prompt 274

You know what is fun? Baby Ghost Jason. You know what could be even more fun? Ghosts are Dragons. 

Jason? Aware of none of this. 

He was on comms, y’know listening and rolling his eyes at Dickwing, who used his real name, really Dick, he mocks. It’s just a stakeout, nothing new there, honestly boring when he could be blowing something up instead. It should have just been a stakeout. 

Yet there’s something suddenly there, something behind him. Something that causes his hair to stand on end and his comms to spark into static like some sort of horror movie. Something, something with clawed hands with corpse-pale skin tipped in black, stained or dead or something else, tilting his head up and up and up as he’s frozen. 

“A child, out here? Alone?” a voice crackles, hisses, hums, and purrs, somehow all at once, unnatural in its tone. He can’t move, he needs to move, he has to move, but it’s like the space around him has gone cold and dead, like he’s stuck in the Pits once more as claws hold his head and his vision blurs. “Sleep, child. Rest- we’ll be home soon.” 

[expelliarmus]

[wabbitears]

hit indie developers limbolane is dropping great god grove tomorrow and I can already feel the hyperfixation madness crawling in Please Please Check Out This Game When It Arrives PLEASE!!!!

[somegrumpynerd]

Ink gets Dream a present c:

I just really want Ink to use his abilities to make something of the twins when they were young, because I think Dream would really treasure it. I also think Dream gives big crushing bear hugs when he's really happy lol

Bonus~

[voiceofsword]

assorted doodles (+an edit) for a god au friend and i have been rambling about

[heybiji]

"Do me a favor and put your arms around me."

[meamiki]

5% of a color headcanon.... two versions since b&w emphasizes the dagger more i think but i still like the warm tones ASFSADA

i am not biased towards rainbow daggers whatsoever i promise (lie)

((also friend is streaming now and im there too!! bit more info linked here, its rated mature tho))

[lunarin64art]

That feeling when he can't stand to see you that way, no matter what you do, no matter what you say😩😭💔

[gingermintpepper]

As usual I read your tags always and so you said Apollo did not ask for resurrection of Asclepius and Hyacinthus so i just wanted to share this. About Asclepius death I read it on theoi.com, that earlier authors don't make him resurrect as a god but that's a later development mentioned only by Roman authors like Cicero, Hyginus and Ovid. But still Apollo has a role in Ovid's version

Ovid, Fasti 6. 735 ff (trans.Boyle) (Roman poetry C1st B.C. to C1st A.D.) : Clymenus [Haides] and Clotho resent the threads of life respun and death's royal rights diminished. Jove [Zeus] feared the precedent and aimed his thunderbolt at the man who employed excessive art. Phoebus [Apollon], you whined. He is a god; smile at your father, who, for your sake, undoes his prohibitions [i.e. when he obtains immortality for Asklepios].

So here it is actually because of Apollo the decision was taken to resurrect him as god. And with Hyacinthus, I don't think I've read about Artemis playing the primary role. I know in Sparta there was a picture of Artemis, Athena and Aphrodite carrying Hyacinthus and his sister to heaven.

This is not on theoi.com but I saw on Tumblr it's from Dionysiaca by Nonnus

Second, my lord Oiagros wove a winding lay, as the father of Orpheus who has the Muse his boon companion. Only a couple of verses he sang, a ditty of Phoibos, clearspoken in few words after some Amyclaian style: Apollo brought to life again his longhaired Hyacinthos: Staphylos will be made to live for aye by Dionysos.

So since he is singing inspired by amyclean stories it probably means in that place it was believed Apollo was the one to bring back his lover to life.

Apollo as god of order was very important so i think it shows how special these people (and admetus too) were to him that he decided to go against the order for them 🥺

ANON!! Shakes you like a bottle of ramune!! BELOVED ANON!!!!! I'm littering your face with kisses, I'm anointing you with olive oil and honey - you absolutely made my night with this because, not only did I get the pure serotonin shot of having someone interact with my tags (yippee, wahoo!!) I also got to have that wonderful feeling of "oh wow, have I misunderstood something that was integral to my understanding of this myth/figure this whole time or is this a case of interpretational differences?" which is imo vital for my aims and interests as someone who enjoys mythological content and literature.

I'll preface my response with this: Hyacinthus is by far the hardest of these to get accounts for because his revival itself, as you very astutely point out, is generally accounted for in painting/ritual format which muddies the waters on who interceded for what. I wasn't actually familiar with that passage from the Argonautica - and certainly didn't remember it so thank you very much for bringing it to my attention!

That said, what I've come to understand, both about Hyacinthus and about Asclepius is that in the accounts of their deaths, Apollo's position is startlingly clear.

For Hyacinthus, it is established time and again that Apollo would have sacrificed everything for him - his status, his power, his very own immortality and divinity. Ovid writes that Apollo would have installed him as a god if only he had the time:

(Ovid. Metamorphoses. Book X. trans. Johnston)

Many other writers too speak of how Apollo abandoned his lyre and his seat at Delphi to spend his days with Hyacinthus, but they also all agree that when it came to his death - he was powerless. Ovid gives that graphic account of Apollo's desperation as he tries all his healing arts to save him to no avail:

(Ovid, Metamorphoses Book X. Apollo me boy, methinks him dead. trans Johnston)

Bion, in one of his fragments, writes that Apollo was "dumb" upon seeing Hyacinthus' agony:

(Bion, The Bucolic Poets. Fragment XI. trans Edmonds)

Even Nonnus in the Dionysiaca speaks constantly of Apollo's helplessness in the face of Hyacinthus' fate where he writes that the god still shivers if a westward wind blows upon an iris:

and when Zephyros breathed through the flowery garden, Apollo turned a quick eye upon his young darling, his yearning never satisfied; if he saw the plant beaten by the breezes, he remembered the quoit, and trembled for fear the wind, so jealous once about the boy, might hate him even in a leaf...

(Nonnus, Dionysiaca, Book 3. trans Rouse)

And the point here is just that - Apollo, at least as far as I've read, cannot avert someone's death. He simply can't. Once they're already dead - once Fate has cut their string - all Apollo's power is gone and he can do nothing no matter how much he wants to. And this is, as far as I know, supported with the accounts of Asclepius as well!

Since you specifically brought up Ovid's account, I'll also stick only to Ovid's account but in Metamorphoses when we get Ovid's version of Coronis' demise, he writes that Apollo intensely and immediately regrets slaughtering Coronis. He regrets it so intensely that he, like he does with Hyacinthus, does his best to resuscitate her:

(Ovid, Metamorphoses Book Two. Apollo's regret)

And like Hyacinthus, when it becomes clear that what has happened cannot be undone, Apollo wails:

(Ovid, Metamorphoses Book Two. Apollo wept.)

Unlike his mother, Asclepius in her womb had not yet died and so, with the last of Apollo's strength, he does manage, at least, to save him.

(Ovid, Metamorphoses Book Two. Apollo puts the 'tearing out' in Asclepius.)

But it goes further than even that because Ocyrhoe, Chiron's daughter, a prophetess who unduly gained the ability to directly proclaim the secrets of the Fates, upon seeing the baby Asclepius, immediately prophesies his glory, his inevitable death and then his fated ascension:

(Ovid. Metamorphoses, Book Two. Ocyrhoe's prophecy. trans Johnston)

Before she too succumbs to her hubris and is transformed by the Fates into a horse so she can no longer speak secrets that aren't hers to share.

These things ultimately are important because it establishes two very important things: 1) Apollo can't do anything in the face of the ultimate Fate of mortals, which is, of course, death and 2) even when Apollo is Actively Devastated, regretful, yearning, mournful, guilty or some unholy combination of all of the above, when someone is dead, he accepts that they are gone. Even if he is devastated by it, even if he'll cry all the rest of his days about it - if they're dead? Apollo lets them go. In Fasti, when Zeus brings Asclepius back, he does not say Apollo asked him to - Zeus, or well, in this case Jove, brings Asclepius back because he wants Apollo to stop being mad at him.

(Ovid, Fasti VI. Apollo please come home your father misses you. trans. A.S Kline)

Even Boyle's translation which you used above in your findings hints that Zeus made Asclepius a god because he wanted Apollo to stop grieving. (i.e 'smile at your father', 'for your sake [he] undoes his prohibitions')

And like, Apollo was deeply upset by Asclepius' death - apart from killing the Cyclops in anger, in book 4 of the Argonautica, Apollonius writes that the Celts believe the stream of Eridanus to be the tears Apollo shed over the death of Asclepius when he left for Hyperborea after being chastised by Zeus for killing his Cyclops:

But the Celts have attached this story to them, that these are the tears of Leto's son, Apollo, that are borne along by the eddies, the countless tears that he shed aforetime when he came to the sacred race of the Hyperboreans and left shining heaven at the chiding of his father, being in wrath concerning his son whom divine Coronis bare in bright Lacereia at the mouth of Amyrus.

It all paints a very clear picture to me. Apollo did not ask for either of them to be brought back. Though bringing them back certainly pleased and delighted him, they are actions of other gods who are moved by Apollo's grief and mourning and seek to mollify him. Him not asking doesn't mean he didn't want them back which I think is a very important distinction by the by, but it simply means that Apollo knows the natural order of things and, even if it hurts, he isn't going to press his luck about it.

Which, of course, brings us to Admetus. And I'm really not going to overcomplicate this, Admetus is different because, very vitally, Admetus is not dead. Apollo can't do a thing once Fate has been carried out and Death has claimed a mortal but you know what he absolutely can do? Bargain like hell with the Fates before that point of inevitability. And that's what he does, ultimately for Admetus and Alcestis. He sought to prolong Admetus' life, not revive him from death or absolve him from death altogether and even after getting the Fates drunk, he's still only able to organise a sacrifice - a life for a life - something completely contingent on whether some other mortal would be willing to die in Admetus' place and not at all controllable by Apollo's own power.

All of these things, I think come back to that point you made - that Apollo's place as a god of order is very important and therefore these people are very special to him if it means he's willing to go against that order but, I also wish to challenge that opinion if you'd let me. Apollo's place as a god of order is very important and therefore, I would argue, that it is even more important that it is shown that he does not break the divine order, especially for the people that mean the most to him. The original context of my comments which started this conversation were on this lovely, lovely post by @hyacinthusmemorial which contemplated upon Asclepius from the perspective of an Emergency Medical personnel and included, in their tags, the very poignant lines "there's something about Apollo letting go when Asclepius couldn't that eats my heart away" and "you do what you can, you do your best, but you don't ever reach too far" and I think that's perfectly embodied with the Apollo-Asclepius dichotomy. Apollo grieves. He wails, he cries, he does his best each and every time to save that which is precious to him but he does not curse their nature, he does not resent that they are human and ultimately, he accepts that that which is mortal must inevitably die. There is nothing that so saliently proves that those who uphold rules are also their most staunch followers - if Apollo wants to delight in his place as Fate's mouthpiece, he cannot undo Fate. And, if even the god of healing and order himself cannot undo death, what right does Asclepius, mortal as he is, talented as he is, have to disrespect it?

The beauty of these stories isn't that Apollo loved them enough to bring them back. The beauty is that Apollo loved them enough to let them go.

[p4nishers]

no but actually how do u fumble SO HARD that you live the same moment for CENTURIES where the love of your life grabs your lapels to pull you close and you just?? don't kiss him?? like?? this fumble will go down in history im sure of it

[aroaceleovaldez]

HoO is so funny to me when you actually think about the ages of all the characters. Octavian is 18. Percy and Annabeth are 16, almost 17. Reyna is presumably 16. Frank just turned 16, Jason’s about to turn 16. Leo and Piper are like 15. Hazel’s like 14 and a half, and Nico is 13.

The Death Sibs are both the youngest and oldest on the Argo II. Octavian is a college freshman getting into petty drama with a bunch of high schoolers. He gets told to shut up at one point by a random 8th grader. Everyone is scared of the 8th grader. We Sent A 13 Year Old To Superhell and he came back weirder, Just Like Middle School. TLH was just three high school sophomores being sent to do a task and it going Exactly Like You’d Expect. Percy’s the only demigod on the ship who can legally drive (though Reyna gets her drivers license at some point before TOA). What Is Happening.

[arom-antix]

Smash your competition, baby

Open for higher resolution Credit to @neon-garbage-angel for the idea Close-ups, explanation, design, and extras below the break

So there I was, innocently scrolling Tumblr on a Monday when someone reblogs a post of mine. I go to look and find tags on my Judas piece that immediately katapult me into this piece and, as is tradition for me, listening to the song that inspired this piece on repeat until I was done. Due to stuff, that took three whole days. I want to extend a formal thanks and a formal please I will never get this song out of my head, thank you for that but I also hate you a little bit /j to @neon-garbage-angel for introducing me to Gladiator by Jann. This is canon to me now.

And because I couldn't decide while I was drawing, I did a version where Viktor still has his long hair. However, when I was doing the design sheet and really thought hard about my decisions, the short-haired version makes more sense so that one got the top spot. But have the other version anyway!

Here are some promised close-ups because this thing got intricate. I should've known. I was surprised anyway.

And then last but certainly not least: Me being back on my bullshit! Here, have an extremely cramped design sheet! (I apologise to anyone using a screen reader in advance, I'll try my best with the ALT YuY)